PUBLISHING FOLLY AHEAD: HELP WANTED June 12, 2014Posted by markswill in About me, Cars and Bikes, Media.
If you love the printed word, skip the next eight paras. Otherwise…
Reporting in the Guardian’s Media Blog on May 18th, the sainted David Hepworth reported comments proudly made by Zillah Byng-Maddick, the newly anointed CEO of Future Publishing, after announcing hundreds of job-cuts as the company rushes onto a digital-only, erm, future. “Now,” he noted, “a single content and marketing team would produce all content.” Zillah Byng-Maddick – who oversaw Auto Trader’s transition from print to digital – claimed ‘our expert, trusted content enables us to attract large communities of highly engaged customers who want to buy things, and that’s exceptionally appealing to our clients’.
“No mention,” notes Hepworth, “of either readers or advertisers there. Instead it’s customers and clients, two words that an editor used to be able to go through an entire career without allowing them to sully their lips.”
In fact Future, which is the only publicly quoted (what used to be called) magazine publisher in the country, and thus beholden to shareholders who give not a fig about anything but profit, is busy selling off its titles to whoever’ll buy them. Most recently this means Immediate Media, who also acquired all of BBC’s magazines in 2011 and has re-energised them, especially the once considered moribund but now hugely profitable Radio Times which sells 830,000 copies an issue.
I used to work for Future in the ‘90s and greatly enjoyed doing so but under a succession of hard-nosed CEOs and CFOs the “digital transition” means blood on the carpet and a lot of creative types wondering what’s hitting them. The story’s the same right across magazine publishing with the emphasis on providing what advertisers rather than readers want, based on the assumption that as Byng-Maddick slyly implies, readers will buy anything editorial tells them to buy because at least in the short term, editorial is trusted. That, in my view, is because the instant availability of information in today’s Wiki-world seems to infer an aura of authority.
And then we have Robert Peston writing in the London Evening Standard that, “The relentless cycle of cost-cutting at traditional news media is giving growing and potentially worrying power to the public relations industry.”
He then bemoans, “the fetishisation of hiring young people who supposedly understand the digital world… but (who have) few proper contacts. Now newspapers are filled with reports based on spurious PR-generated surveys, because they lack the resources to generate their own, high-quality stories.”
And yet at the recent Hay Festival, there was an overt ‘Print Isn’t Dead’ theme – a bit rich coming from an organisation which avidly embraces digital readers. Nevertheless an interesting item in its promo-bumf virtually celebrated the fact that we spent £93million less on printed books last year than in 2013, but in the next breath reckoned that “by producing high-quality editions, traditional publishers can shore up sales and retain the loyalty of self-confessed papyrophiles.” (I assumed ‘papyrophiles’ are readers who like ink-on-paper). A claim possibly justified by the statistic that sales of hardbacks rose by 11.5% in America last year.
Whatever you make of all this, now might not seem the time to be launching a print magazine, especially so if you’re middle-aged and somewhat phobic towards digital media. So of course that’s exactly what I’m going to do. And I need your help.
As occasionally reflected in these blogs, I’m a big fan of old cars and ‘bikes. (I was going to witter on here about the monstrous consequences to my Citruin XM after recently hitting a badger at 80mph, or replacing the catalytic converter on my Twingo money-pit, but you’d only laugh). My career in automotive journalism began in 1972 in the offices of Car magazine where I’d conceived a bratty little motorcycle magazine called, with vaulting imagination, Bike. And extraordinarily, after many incarnations it remains the market leader. But Car’s staff taught me that original prose and careful editing mattered, and in its day it was superior in both respects to anything else around. Its stellar writers included Doug Blain, L.J.K Setright and Mel Nichols and their descriptive powers, love of both language and machinery inspired and instructed me.
Now I am old I miss those great writers and their freedom to let their knowledge and critical enthusiasm run wild over 2, 3, or 4,000+ words. Today’s motoring (and motorcycling) magazines rarely contain articles over 1500 words long and have become tediously formulaic. And this because their writers are constrained by the short attention spans of a digital constituency, or as Peston implies, because the emphasis is on young hacks who don’t know how to craft a long-form essay.
But I believe that those of us who grew up with cars in the ‘50s, ‘60s and ‘70s – i.e. today’s classics – still know how to read more than a page of bland text displayed on a desktop and who appreciate the informed opinions of people who can still write it. So this autumn I’m investing, if not squandering my savings in what will be a small, but perfectly formed periodical full of great writing about great cars, the great men and women responsible for them, and their great escapades and achievements.
I already have some fine contributors onboard, but I’d ask any of you who have such stories to tell, and who can really write as well as read, to contact me – or recommend appropriate others. If nothing else, in these strange and difficult times for the printed word, it should be quite an adventure: firstname.lastname@example.org
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Chinese Wails January 28, 2014Posted by markswill in About me, Media, Politics, Schmolitics.
If you live or spend much time in London, one of the less edifying spectacles of the post-Xmas silly season has been ‘Bonkers’ Boris Johnson and his good pal Dave ‘Posh Boy’ Cameron bigging up London as a magnet for global tourism in the Evening Standard.
To some extent this is a grouchy response to France’s claims that Paris attracts more overseas visitors than our capital city, the dark subtext perhaps being that any country whose leader couldn’t make up his mind between his mistress and his, er, ex-mistress can’t be trusted with anything, even its tourism statistics. But beyond such unspoken ridicule, I find it sad if not pathetic that Britain, and in particular London places so much emphasis on tourism for its economic recovery.
Dropping onerous visa requirements for visitors from China, a country which has already decimated our manufacturing base – admittedly with our short-sighted complicity – so’s to get more of them posing for snapshots outside Buck House would be okay if it was reciprocated. Indeed if the people who rule China weren’t so busy stashing billions (trillions?) of yuan in western tax havens and handing out brutal prison sentences to any of their subjects who dare to criticise them for it, or indeed anything at all, well then I might be in favour of relaxing the restrictions.
And as we continue to sell large chunks of our so-called public services to the Chinese, e.g. energy, railways and the increasingly privatised NHS to the orientals the answer to the leftie media’s regular hand-wringing about ‘Who owns Britain?’ seems to be ‘the Chinese, of course.’ Because in the global economy that we must now accept that we’re but a tiny, wee part of, the Chinese have the biggest chequebooks. It almost makes me wish we lived in North Korea or Cuba where foreign investment can’t have any effect on how the country’s run, because by tacitly accepting the double-standards and oppressive nature of its ruling classes, how long will it be before Boris and Dave start telling us that they don’t really have a human rights problem at all with China and we should therefore welcome their affluent middle classes as our incipient economic masters?
Talking of the economy – which of course I must – am I alone in pouring scorn on the fashion and ‘lifestyle’ pages of the meeja which almost exclusively feature garments and gizmos that most of us can’t afford?
A darling little lampshade from Rothschild & Bickers may be a steal at just £380 if you’re lottery winner with Barratts mansion to furnish, but frankly when I need a new pair of jeans I’m off to Uni-Qlo with nineteen quid in my fist rather than £135 or even, gulp, £500 for something ‘a little special’ from Scotch & Soda or Levis. From my days as a mugazine editor I of course understand the value of aspirational content, but even for ladeez with rich hubbies surely £199 for a pair of kecks from Sandro or an understated frock from the ever-smiley Vicky Beckham at £1,550 are clear cases of the fashion eds having a laugh?
My own female friends, or at least the ones who’re willing to discuss it with a man who isn’t Gok Wan, tend like me to seek out a nice bargain, and even my WIFE (a term I still find a pleasing novelty), also tends to frequent secondhand shops and the aforementioned Uni-Qlo on a regular basis, for although careful with our dosh and quite ancient, we’re still unabashedly vain.
But if print media readers really can afford to patronise these posho brands, most of whom I’ve never heard of, perhaps I’m dead wrong about the nation’s finances? In which case the far eastern sweatshop owners had better up their game and kill off the Italian, Spanish and few other remaining European garment-manufacturing countries if they want to supply the growing number of British fashionistas… thus guaranteeing their UK visa status.
Finally, now that I’m spliced, duty obliges me to bang the drum for Kiss Me First, the just launched paperback of the debut novel by Lottie Moggach, who is technically my step-daughter!
Anyone even vaguely interested in how the internet can govern, change and indeed create personalities will be riveted by this hugely original psychological thriller, and especially its narrative tone. Worthily shortlisted for the Guardian First Book Prize, it’s right up there with Gone Girl for its unexpected twists, turns and final reveal. Bugger nepotism, it’s a truly fantastic read. Oh, and you can get a better handle on Lottie and her book here: http://www.picador.com/authors/lottie-moggach …or in her own words, here: www.lottiemoggach.com
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THE WORLD ACCORDING TO CAMERON DIAZ, Pt 2 November 14, 2013Posted by markswill in Media, Navel Gazing, Politics, Schmolitics.
I ended last week’s excursion to the outer fringes of melancholic resignation by claiming that there had at least been some compensation in the shape of cultural nourishment. That said, we’re not out the woods yet but before return to the forces of darkness, I will honour my promise, kicking off with the fantastic Pop Art Design show at the Barbican – a sprawling, comprehensive exhibition taking in pure art, commercial media and even furniture and household goods. A good 90 minutes if not two hours are required to take it all in. Equally uplifting, partly because I was barely aware of his work, was the Daumier exhibition at the RA and rather more for laughs, Michael Landy’s installations based on the martyred saints at the National, even if they do rather ape what Bruce Lacey was doing 50 years ago.
In fact I’m writing this on the train back from King’s Lynn after a jolly works outing to see the temporarily returned post-renaissance paintings acquired in 1779 from Robert Walpole’s ancestral seat, Houghton Hall, by Catherine the Great. Walpole had Houghton built specifically to accommodate a collection that wasn’t uniformly to my taste – although the Van Dycks, Velazquez and Marattas were of a high order – but its scale and décor, still beautifully preserved, are the perfect setting for an assemblage that’s shortly to return to Russia, never to be seen here again. (Also, the warm fruit scones in the caff were the best I’ve ever had – which is saying something – and we enjoyed one of Griffith’s pork pies, brought all the way from Shropshire, on the train home). Top day on all counts, then.
Only two theatre outings in the last coupla months, but both crackers: Terry Johnson’s clever, archly comic Hysteria at Hampstead with Anthony Sher playing a much put-upon Sigmund Freud (N.B. Naked Old People Alert), and Moira Buffini’s Handbagged at the Tricycle which is a sardonic, brilliantly observed and pitch-perfectly performed imagining of the hostility between M. Thatcher and H.R.H. The Queen. Both still (just) playing so if you live in London, get there quick.
As for films, well obviously I’d advise seeing The Counsellor with Brad Pitt, Javier Bardem, Michael Fassbinder and of course Ms. Diaz all on topping form. And as they haven’t quite yet been released, I’ll repeat my enthusiasm for All Is Lost (R. Redford, brilliant), Nebraska (B. Dern, ditto… indeed his best since The Driver), Labor Day (Kate Winslet, more ditto), August: Osage County (La Streep outstanding as a drug-addled, vile-tongued matriarch) and the best film ever to come out of Romania, Child’s Pose. Which perhaps isn’t saying much. But then neither am I.
Except on the subject of HOUSING, the price of which if you live in the South East, which I don’t, you’ll know is rising at some 8-10% per quarter. It seems extraordinary that the government tacitly if not actively encourage this by allowing, i.e. without any notable tax deterrents, foreign investors to buy ‘off-plan’ properties they will never live in or mansions they might visit occasionally, indirectly pushing up the cost of rental as a consequence. Then on the other hand the banks, several of whom we part-own and who screwed up the economy by over lending to an over-heated housing market, instead of to business as they were supposed to and which we were told would re-build the economy on sounder basis, are again offering 95% mortgages and often with government backing. In the spirit of last week’s blog, I have tried to overcome my cynical doubts about this by listening to the pundits who, like Thatcher, claim that having lots of rich Russians, Arabs and hedgefund hogs investing in bricks and mortar will have a beneficial trickle-down effect for the rest of us. And maybe this time around I am wrong and they are right?
I’m slightly surer of my prejudicial positions on the ENERGY COMPANIES and the NATIONAL HEALTH, both of which obviously concern me in my twilight years. Much to my surprise I agree with John Major that the cartel which supplies light and heat to our overpriced homes are profiteering cynically and enormously, the huge salaries of their bosses and the ‘enhanced shareholder value’ which they trumpet as their prime motive causing both anger and fear amongst those who increasingly have to choose between adequate heating and feeding themselves. And of course a consistent reduction in either leads to ill-health which disproportionately effects the elderly who of course, because of the deliberately repressed interest rates have found their living standards further reduced. A troll round any branch of Aldi or Lidl witnesses growing numbers of harried looking pensioners debating whether they can afford own-brand ketchup or tinned sardines, nutrition being rather lower down their economic agenda than three or four years ago.
I don’t therefore find it coincidental that the NHS is creaking under the strain of all these increasingly ailing crocs, neither am I surprised that closing down walk-in centres, cutting support to GP surgeries and the A&E units that are having to take up the slack, plus wasting squillions on IT systems and senior management that do sod-all for frontline services results only in weasel words from Cameron and Co. The contrarian view, which in my new spirit of impartiality I am bound to espouse, is that like many other developed countries we should jolly well pay for some or all of our healthcare, ergo, the rich and entitled would enjoy better health, live longer and contribute more to, erm, offshore tax regimes.
Oh, and one final cause for unfettered joy: Ed Reardon’s Week is back on R4, and on excellent form – 11.30am Mondays.
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THE WORLD ACCORDING TO CAMERON DIAZ November 8, 2013Posted by markswill in Cars and Bikes, Media, Navel Gazing.
In The Counsellor, a violent but not unappealing drug trafficking thriller due out later this month, Cameron Diaz’s deliciously villainous character spouts a lengthy homily about change, its inevitability and the smart person’s decision not to fight it. Obviously I am not a smart person because Canute-like, I constantly resist change. I was also reminded of the foolishness of this when visiting the Paul Klee exhibition at Tate Modern, for although in his day (1879-1940) Klee was a serious thinker and teacher about matters artistic, on the evidence of this rather disappointing show he failed to put his thoughts into action, or rather onto canvas. Which in failing to put most of my own stridently voiced opinions into practice, I am also a craven hypocrite.
And it is of course this untypically honest admission that partly accounts for the hiatus in blogging which I whined about six weeks ago, although then I cited the irrelevance of one man’s views in a world where better brains than I have bigger and better fora to disseminate them and the usually despicable acts of mankind that prompt them. So whilst I still advocate Private Eye, The New Yorker and even Prospect if you really want to know about mankind’s horrors and follies, I was moved by Ms Diaz’s, or rather scriptwriter Cormac McCarthy’s observations to re-consider my position on a few matters that had recently vexed me.
HS2 The current political wrangling over the proposed £42billion north-south trainline is characterised by the opposing sides constantly issuing contradictory reports on its viability, cost and disruptive elements. My view is that it’d be a disaster, especially for the citizens of north London whose properties and lives would be blighted for a decade whilst it was built (I spend a lot of time in north London, see), and as a regular traveler on a creaking east-west train service to and from and my Welsh home, I’d far rather see the money used upgrading existing rail routes. But because so much political capital depends on HS2 going ahead, it almost certainly will. Just as it almost certainly will be beset by cost overruns and delays and do nothing for the economies of northern England that are its supposed beneficiaries.
MEDIA & BOOKS The recent sacking of its arts critics by The Independent and the steady cull of journalists by the Telegraph, Times and Guardian confirm that mass print media is doomed. Ditto the ongoing closure of independent bookshops due to the increase in sales of digital readers with Amazon, the arch-villains of the piece, rubbing salt into the wound with a series of ads showing an ugly man smiling at his Kindle in front of a pile of discarded books. A recent report that children, often encouraged by parents desperate to keep them occupied, just don’t have the attention spans to read anything other than digitized gobbets of information confirms that the printed word is doomed. And with it, probably anyway, the power of the press to challenge authority and commerce to account for their myriad venality. So I’d better get used to that, too. But a bracing if surprising counterpoint came from Murdoch’s News UK paywall-loving boss, Mike Darcey, in the latest In Publishing (print edition, natch): “Papers like The Guardian are eating themselves alive by publishing a newspaper at £1.40 and then giving all the content away for free.” Precisely.
CAR TROUBLE A rare case of contrition now regarding my unfashionable romance with the internal combustion engine. I got it wrong with the Twingo I irrationally bought in August (because I liked its cheeky looks and supposed economy), and am having doubts about both selling my Lancia Gamma and my continuing ownership of the gorgeous technological marvel/nightmare that is my Citroen XM. Since acquiring it, the Twingo has needed a replacement driveshaft and cambelt, both nightmarish to source because it was never an UK import and Renault UK can’t or won’t identify relevant parts numbers. Ergo many frustrating hours spent badgering confused and irritated friends/mechanics/axe-murderers for help. The Citruin has developed a leak from I know not where, probably because I stupidly let a garage who didn’t know XMs service it instead of doing it myself. And winter’s coming and its bum’s getting rusty. Until I bought the XM, I maintained that one’s ‘daily driver’ should cost no more than £1000 and deliver at least two and usually three year’s virtually trouble-free motoring, after which I’d flog it for a few hundred less than it cost and move onto another cheaply insurable old banger, arrogantly assuming that I knew enough to do rudimentary maintenance and avoid buying a dog. Oh, and I’d keep and cherish a classic for high days and showing off. The XM, glorious to drive though it is, proved the exception in every respect, but I thought I’d box clever by replacing the Lancia with it as my object of automotive lust and make the Twingo my daily driver. Wrong, wrong, wrongity wrong. And worse, when I occasionally drive a modern BMW or, gulp, Ford, I kinda hanker after transport that’s quiet, reliable and economical… even if it has no soul.
TALKING OF SOUL All of this unrequited resistance to the march of progress has this month been ameliorated by some determined cultural consumption, but as your attention span has probably already been stretched to its limits, the details of which I’ll peddle around early next week in a unexpectedly prompt second instalment.
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Still Scribbling (Just About) September 2, 2013Posted by markswill in Cars and Bikes, Media, Navel Gazing, Politics, Schmolitics.
There have, it seems, been 85 of the suckers over the past few years, and almost uniformly bleating about some social injustice, media travesty, political inertia and/or conspiracy blah-blah-blah. My last blog in fact exhorted my reader to simply buy Private Eye whose muck-raking activities are far, far more assiduous, wide-ranging and comprehensive than a lone scribbler’s could ever be, and that remains my position. And in a world increasingly run by giant corporations and their poodle governments, the potential for protest to have much effect is limited. Which is why I haven’t published another one for months and likely won’t do for many more.
Indeed I think it’s fair to say in the world we now blindly struggle through, my generation really had the best of it and I pity the poor blighters following in our wake.
But just for the record, these are the subjects that have me wringing my hands most often and most intensely : Mick Farren’s death; Google; Amazon; virtually all politicians; Syria; fracking; HS2; global energy policies; most electronic media; banks and bankers; my personal finances; human behavior in the digital age; Afghanistan; celebrity culture; finding a garage who can competently tend my Citroen XM. It’s never bloody ending.
And since this will be probably be my last scrawl for ages, I’ll try and counterbalance that litany of despair with a brief list of things that have made life bearable:
DAVID BYRNE and St Valentine at the Roundhouse: 8-piece brass section, quirky if borderline irritating guitarist/chanteuse Annie Clark and Byrne’s magnificent songs. Truly uplifting.
MOVIE BINGEING: Seeing up to seven a week courtesy of my gig with the Picturehouse chain. Yes, there’s dross a’plenty, but some gems too, recently including What Maisie Knew, Closed Circuit, Cold Comes The Night, All Is Lost, Gloria, The Great Beauty, Enough Said, Blue Jasmine and Nebraska… all out now or in the next two months, and all to be savoured before online streaming and home cinema finally kill off real cinema (and I’m out of a gig, again!).
ART: a now not-so-recent trip to Paris revealed some unexpected gems, including Hey! Modern Art & Pop Culture at the wonderfully whacky Hailles St Pierre (a sort of mini-Roundhouse) featuring ‘outsider artists’ from the 70s onwards, including the Clayton Brothers, the biker druggie Joe Coleman, Erik Joyner and dozens more. Hey! is also an occasional, beautifully produced mag-book worth €19 of anyone’s money whose interested in truly innovative creative mavericks that make the Damien Hirsts, Chapman Bros. and Tracey Emins of this world look like the cynical, minimally talented hucksters that they are.
And the Chagall exhibition, mostly of his bitingly critical anti-war works at the Musee du Luxembourg was moving in a different way.
But most impressive was a trip to the Musee des Artes et Metiers. I was making my third visit there in the vain hope that I might finally work my way through its enormous collection of technical, industrial, consumer, automotive and architectural design exhibits (I failed) when for light relief wandered into the temporary Enki Bilal show. He’s little known (to me) Serbian-born comic book artist and writer – a master draughtsman and fantasist with an agreeably perverse view of the (nether) world, but he’s also made several feature films, unshown in the UK, which despite massively limited resources and zero CGI are incredibly dramatic and graphically imaginative. This I know only because he’d spliced together a riveting and often hilarious assemblage that played on a constant 15 minute loop.
Amazingly, given their no-budget origins, Bilal managed to persuade star names to appear in them, such as Julie Delpy and Michel Piccoli (Tykho Moon), Frederic Pierrot and Charlotte Rampling (the deeply weird Ad Vitam a/k/a ‘Immortal’) and Jean-Louis Trintignant and Maria Schneider (Bunker Palace Hotel). Bilal’s films are available, if hard to track down, on DVD but I recommend that you do. (I also got to bestride Prosper Keating’s meticulously maintained Velocette KSS whilst in Paris, but that was art as ancient engineering).
Lichtenstein at Tate Modern is long over of course, but it’s still zinging around in my head, and the Salgardo photos at the Natural History Museum are pretty damn incredible.
THEATRE: The revival of Gorky’s Children of the Sun at the NT was a timely reminder of the perils of political expediency, thrillingly staged and performed, ditto Chimerica at the Almeida – since transferred to the West End – which boldly addressed the growing power of China and waning influence of America. More conventional but no less caustic was Noël Coward’s supercharged comedy of upper-class manners, Private Lives at the Gielgud.
MEDIA: Apart from the aforementioned Private Eye, The New Yorker continues to be the source of much pleasure and instructive intelligence. Long, beautifully written articles on subjects as diverse as Louisiana tugboat dynasties, Tibetan politics and the exploitation of African mineral resources by shadowy Israeli industrialists, plus the best film reviewers in the world bar none make the £100+ annual subscription worthwhile… even if, with hideous inevitability, its publishers are trying to migrate us online.
And so finally of course we come to Renault Twingos: I’ve always fancied these cheeky wee-but- roomy French hatchbacks since riding around in a colleague’s during my frequent business trips to Paris in the mid-90s, and having been obliged to sell my beloved Lancia Gamma, I spent some of the proceeds on what is now probably the only one in mid-Wales.
Certainly the only one in metallic gold with a full length sun-roof. What larks… almost as much fun in fact as riding a Honda CBX around in what for once has been a fabbo summer.
The Eyes Have It May 16, 2013Posted by markswill in Cars and Bikes, Media, Politics, Schmolitics.
It’s been a good six weeks since I last spewed forth, or rather a pretty bad six weeks if you’re a miserable old doomsayer. Not that there haven’t been a fine moments, the highlight being a high-speed dash across Wales and the Midlands with my friend M aboard a new Honda CB1100 and the latest Triumph Bonneville. We swopped bikes enough both during and the day before to share the conclusion that by a small margin the Trumpet was in fact the better all-rounder, so for once British was best… well British built from numerous Chinese and Italian bits. But the joy of it was just being able to belt along hour after hour at improbably high speeds on lightly trafficked, sun-dappled roads… something I haven’t done in duet for many a year.
Since then I’ve yet again been struggling to come up with something fresh to blog about and yet again each time some news item or personal experience prompts the requisite degree of righteous indignation, before I can find time to sit down and scribble – which frankly is difficult enough at the moment – some further outrage emerges, and so on and so on. For the moment then, I’m stymied… which may come as a relief in certain quarters. But if anyone still needs to feel livid about the state we’re in, then I can do no better than commend you to Private Eye which six decades on is still, in fact probably now even better at muck-raking than when it began in the ‘60s .
Whether it be murky arms deals supporting murderous dictatorships, local government incompetence, ongoing banking malfeasance, officially sanctioned pollution, venal commercial interests on both a national and global scale and most of all the corruption and gob-smacking stupidity that goes on at every level of politics, the Eye still delivers the goods in pithy, well researched gobbets which no longer seem to attract the libel writs and legal censure they once did… surely proving that most of what they print is true. (And it will be fascinating to see what the consequences are of the major report in the current issue on what “made Britain the capital of global corporate crime”… although see below).
The downside of this of course is that the perpetrators of what ultimately harms and impoverishes us no longer care much about getting caught – look at Chris Hune and his pathetic attempts to cover up a speeding offence. Neither do the Primarks and H & Ms of this world who pride themselves on flogging ultra-cheap, rubbishy clothing produced by near-slave labour in shoddily-built third world factories which, when they collapse and kill hundreds of their workers certainly don’t prompt boycotts on the High Street. We have, I believe, become so inured to the dishonesty and rampant self-interest displayed on a constant basis by those who should be setting the unimpeachable standards of morality and fair-play that we should aspire to – whether they be politicians, business leaders or so-called respected media figures – that we’ve become just as cynical as them.
And that is a cause of great despair and an overwhelming sense of powerlessness that in a somehow justifiable way encourages all but the very, very brave, and possibly Private Eye journalists to pursue the same hang-the-consequences solipsism as our so-called role models. Meanwhile the national media is busily abandoning investigative reporting in favour of the mindless celebrity bollocks that they mistakenly think will save them from further ruin.
But despair doesn’t really make for good journalism, and certainly not good bloggery.
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Nothing To Fear But…? April 5, 2013Posted by markswill in About me, Media, Politics, Schmolitics.
Not that it really matters, but the unusually long hiatus in my bloggery – by recent standards, anyway – is down to the fact that just as I was putting the finishing curlicues to a searing expose of how politicians and commercial interests employ fear to get their way in the world, my friend Dick Pountain did a much better job than I’d just attempted in his newly posted blog, which I commend you to read here
Admiring though I am of his insight and intellect – and I really do advise you sign up to his regular musings – it left me with a metaphoric hole to fill which happily was remedied by a visit to the Royal Court to see The Low Road, written by Bruce Norris. You may’ve been luck enough to see his last play performed there, Clybourne Park, a brisk, darkly humorous excoriation of racism and property speculation in Chicago, with über-Hobbit Martin Freeman especially impressive. The Low Road fills an even broader canvas, namely the entire history of modern America woven into a neat and devastating parable on the venality of its financial system, with a noxious side-order of religious bigotry and racism. It’s a sprawling, three hour work wryly narrated by a non-judgemental Adam Smith, and it would’ve had even more wallop had it been edited down by 30 minutes, but it had the desired effect of leaving me both highly entertained and very angry.
Coincidentally, novelist Sebastian Faulks vented similar anger in a recent Evening Standard article. As in Norris’s play, he observed that the economic woes caused by a breed of bankers who profited from the naïve trust of their investors hasn’t resulted in a single banker, hedge fund manager or other financial huckster being imprisoned for the misery they’ve caused. He wrote:
“The FSA (Financial Services Authority) which was meant to police the system was too weak to do its job. The ratings agencies misunderstood the products they were rating. The ‘big four’ accountancy firms signed off things they should never have let pass. The ‘magic circle’ law firms helped financial houses construct (their) lethal instruments. Crazed by greed, the traders told us they had spread the risk so thin that it could never come home to roost.”
Well we now know how wrong they were, with almost everyone who isn’t earning a proverbial mint in the City suffering from the consequences. In a week when the Chancellor substantially shrunk the social welfare safety net to the extent that millions of the poorest will lose out, whilst simultaneously he reduced the tax rates for the richest, we are required to accept that such policies are necessary to ensure the future comfort and prosperity for all.
Then we had Danny Alexander, the Chief Secretary to the Treasury and like his master George Osborne and most of the coalition cabinet, a sleekly-padded upper-class millionaire, telling R4 listeners that lowering the tax rate for high earners would encourage more of them to move to Britain and spend money that would provide employments for others – the same ‘trickle down’ theory that Mrs Thatcher’s last government manifestly proved not to work. On other occasions, Alexander and his cohorts have also defended the apparently obscene bonuses given to executives of the banks that we bailed out and in several cases now largely own, as being essential to preserving Britain, or more particularly London, as a global financial hub vital to the economy. An economy which, although he didn’t mention it, successive Tory (and recent Labour) governments would otherwise have destroyed by letting our manufacturing and energy industries go hang or become owned by foreigners who don’t pay much if any UK tax.
And whilst I don’t want to turn this into a tedious analysis of why this is balderdash, I will say that I just don’t get it.
Personally of course, I’m lucky. I may not earn much, but I don’t pay rent or a mortgage and have no kids to support, but my relentlessly rising cost of living is such that I have to watch very carefully what I spend on utilities, clothing, transport etc. My heart therefore goes out to those less fortunate than me and I believe that all of us would perhaps, possibly, just conceivably be more willing to submit to the strictures of millionaire politicians who understand not a jot what it’s like out in the real world of broken Britain if they brought some of the bankers to book.
It isn’t even ironic that the ‘papers are full of stories about unemployed people who’ve been thrown into jail for defrauding the benefits system of a few thousand pounds when those who brought the economy to its knees, and caused further cuts to that system, go scot-free.
Indeed after a nod to the now dormant Occupy movement, as Faulks also noted, “ It is difficult to understand why there are not peaceful protests every day outside RBS, Credit Suisse, Goldman Sachs, Morgan Stanley and all the other places where a few men conspired to gamble with money that did not belong to them – and got away with it.”
My own theory is that Osborne, Alexander, Cameron and their fat-cat pals in the City have cunningly and deliberately made it obvious that any mass protest or show of indignation would risk the financial security, pathetically limited though it may be, of those who did the protesting.
In other words we are obliged to be afraid, very afraid, of rocking the boat.
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Like Life, Only Better March 10, 2013Posted by markswill in About me, Media, That's Entertainment.
One of the (many) criticisms made of this blog is that it’s almost unremittingly doom-laden. To which I’d say, ‘Guilty as charged’. But as one gets older and from a growing catalogue of experience forms a world view, unless you enjoy great wealth and the insulation from reality it can afford, such pessimism is hard to avoid. Being a life-long, card-carrying hack, this augurs an almost feral need to communicate which ignores such constraints as readers’ sensitivities or sympathies, constraints which the nature of the blogosphere, e.g. no editors, no rules, no overriding context, further renders irrelevant.
But it’s not all gloom and dismay out there and as noted at the end of my last bilious outing, I also sometimes arrogantly feel moved to share some of the good stuff that I’ve enjoyed recently, which invariably means kulcher. So…
Thanks to my current day job, I can recommend some cracking films just about to come out, the best being Steven ‘I’m Giving Up Making Movies to Become a Painter’ Soderbergh’s Side Effects. I’m a huge fan of Soderbergh who’s gleefully defied categorisation with films as diverse as crime capers Ocean’s 11, 12 & 13, disease thriller Contagion, his better-than-the-original re-make of Solaris and even that low-key titillation, The Girlfriend Experience. Although revisiting the corporate malfeasance he reflected in The Informant!, just when you think Side Effects is a worthy treatise on the nastiness of Big Pharma, it suddenly goes somewhere else altogether. And as a trio of characters in a battle of psychologically troubled wills, Jude Law, having recently snoozed his way through Anna Karenina, Dragon Tattoo’s chameleon-like Rooney Mara and much to my amazement, Catherine Zeta-Jones, have never been better.
Theatre director Rufus Norris’s movie debut Broken also ends up being more than the sum of its narrative twists and turns, namely a meditation on the moral state of the nation, (spoiler alert: it’s not looking good). Deploying his native English accent for the first time in ages Tim Roth plays a well-meaning if slightly vapid father of an adolescent daughter who circumstance obliges to grow up fast. She’s played with great spirit and credibility by newcomer Eloise Laurence and although violent, bleak and prone to arguably gratuitous flashbacks, Broken is well worth the ticket price.
Music video director Eran Creevy’s Welcome to the Punch finds James McAvoy playing a bitter cop out to avenge the crook who nearly killed him during a mega-bank heist (the reliably intimidating slap-head, Mark Strong). Structurally it’s kinda Lock, Stock & Two Smoking Barrels for the internet generation, but despite a low-ish budget, its noir-ish view of a soulless London and excellent turns from all concerned including Andrea Risborough as McAvoy’s professional foil elevate it into something rather superior.
McAvoy’s been a busy boy lately and will shortly turn up as Bruce Robertson, a decidedly amoral detective in Filth, co-written by another newish director, Jon S. Baird from Irvine Welsh’s eponymous novel. Set like Welsh’s Trainspotting in Glasgow and occasionally saddled with the same incomprehensible dialect – bring on the subtitles, please – Robertson is trying to win back a wife understandably estranged by his wilful, often comically OTT misbehavior.
Even more entertaining, uplifting even for men of a certain age (guess who?), is Good Vibrations, a rousing biog of Terri Hooley, the god-father of Northern Ireland’s punk rock scene. I was barely aware such a thing existed, but Hooley’s transformation from hippie-ish record-shop owner to politically savvy pogo evangelist is most affecting, ending with him leading a raucously improbable version of Sony Bono’s Laugh At Me to a huge, ecstatic Belfast audience. Richard Dormer as Hooley and Jodie Whittaker as his more grounded wife are both fab.
But sadly, man cannot live by celluloid images alone, although David Thompson’s masterful The Big Screen is the best book on their development and social influence yet. And here’s a few more tomes I’ve recently read and can recommend especially if, like me, you managed no more than 0-level English. Very different from Whoops!, his razor sharp critique of cowboy capitalism, John Lanchester’s novel Capital cunningly interweaves the disparate, often deeply unattractive inhabitants of a gentrified London street who’re confronted by a malign trespasser. Gillian Flynn’s Gone Girl on t’other hand is a more straightforward thriller but written in an odd style that quickly turns compelling as the mystery unfolds. The Reluctant Fundamentalist by Moshid Hamid is a thoughtful, cleverly wrought novella whose title says it all, with a pitiless final twist. Somewhat inevitably I’ll finish with Deborah Moggach’s latest novel, Heartbreak Hotel, which following her movie-inspiring Best Exotic Marigold Ditto gives further hope and hilarity to those of us awash with middle-aged testiness and torpor.
Turning novels into scripts of course courts peril, but having enjoyed Mark Haddon’s The Curious Incident of the Dog in the Night-time I was, ahem, curious to see how it might pan out as a play and given Luke Treadaway’s astonishing performance as the OCD-ridden Christopher Boone, Simon Stevens’ adaptation is just great. Having transferred the National Theatre’s Cottesloe, its stunningly-staged production is now at the Apollo. I’m slightly embarrassed to say that all my other puffs are for National Theatre enterprises, too, although the most extraordinary – and I use the word advisedly – is a walk-around piece performed in the basement warren of Somerset House. In The Beginning Was The End is a witty, engaging and often disturbing examination of corporate and technological dystopia which obviously appealed hugely to this writer.
Also at the NT is Port, a narratively astute celebration of the human spirit, again by Simon Stevens, played across 13 years in a Stockport sink estate with some brilliant performances and a breathtaking stage design. Finally at the Southbank there’s Frances de la Tour’s, ahem, tour de force as the droll, obstinate owner of a crumbling country pile in People. Another magnificent Lyttleton staging, and although some critics disparaged Alan Bennett’s script even my film-fixated sister thought it highly entertaining, infused as it is with his usual subtle poignancy.
But that’s enough niceness for now – next week we’ll be back to grumbling normality with… Dubai!
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Indian Winter of Discontent February 17, 2013Posted by markswill in Media, Politics, Schmolitics.
Stuck as many of us are in a freeziferous winterscape™, it’s a little churlish of me to bang on about about my recent trip to India but as ever, that won’t stop me. As per last time I visited that sub-continent, I was riding on my friend D’s coattails, this time chaperoning her to the Jaipur Literary Fest. where she was doing a couple of gigs. But neither she nor I had bargained for the Indian success of her novel Burst Erotic Marigold Yodel and the film that’s based on it despite it being set there, so endless media interviews and book signings rather kept her (and thus me) at the festival itself, instead of sightseeing and mucking around in downtown Jaipur as we’d intended.
However it must be said that the appetite for culture amongst all levels of Indian society was a huge eye-opener, for not only is English the second language there, but the brilliance of the Lit. Fest. is that admission was free, so it’s not the middle-class poseurs’ paradise that most British equivalents are. It was truly heartening to see numerous school crocs of neatly uniformed kids attending the talks and queuing for autographs amidst the decaying splendor of the Diggi Palace, and equally impressive that the audiences for all the events were packed and on the basis of questions asked, incredibly well–read and –informed.
What’s more, India is one country where newspaper, magazine and book sales are steadily rising due in part to increasing literacy rates, but also the relatively exorbitant cost of tablets, Nooks, Kindles etc. deters people from feeding their reading habits in anything but the traditional manner.
The only downside of the festival was the large and occasionally officious military presence due to the fear of Islamic fundamentalists causing trouble as they had done last year when Salman Rushdie was to’ve appeared but didn’t, although extracts from his Satanic Verses were read out by literary supporters. However this year’s event was not without controversy when one speaker denounced lower caste Indians as being responsible for most of the country’s crime which quickly brought criminal charges against festival boss William Dalrymple and his co-organisers, the appearance of the Dalai Lama, which of course the Chinese contingent got angry about, and journalist/editor Shoma Chaudbury delivering an impassioned tirade against the Tata corporation (owners of Jaguar Land Rover) who’d forced the unpaid displacement of thousands of peasant farmers from their land so that they could build a giant car factory… Tata being the festival’s main sponsor!
But India is mired in all sorts of controversy, from the judiciary’s almost tacit acceptance of gang-rape following recent high-profile cases, to the government opening the door to supermarket giants like Tesco and Wal-Mart which obviously threatens the lifestyle and incomes of literally millions of small food producers and retailers.
Government corruption is endemic in India, but the people themselves, even when trying to sell you tourist tat or simply begging for coinage, are incredibly cheerful and polite but whom, at least from the few that I managed to discuss such things with, are deeply critical of what is being done in their name to gradually erode their culture.
Back home again, those same supermarkets are now at the centre of a scandal over the horsemeat content of their beef products, which I find both hilarious and venal. Hilarious because I actually enjoyed the horsemeat I’ve eaten in France and Spain and can’t see why anyone wouldn’t want to, but venal because it’s been passed off as something else, and almost certainly the cripplingly low prices our farmers are forced to accept from the supermarket cartels has much to do with this. An exasperated farmer told the Today programme last week that he’s lucky to make just £100 profit on a beef carcass that’s taken him at least 18 months and several thousand pounds to rear, and whilst well-meaning food writers urge us to buy fresh meat from local butchers rather than processed food products from supermarkets, they ignore the facts that (a) supermarkets have put thousands of butchers out of business in recent years, (b) millions of low-income families couldn’t afford fresh meat anyway and (c) an entire generation educated in schools where cookery is no longer taught wouldn’t know what to do with it even if they could.
As an aside, but I think a relevant one, if the Pope rescinded the 2billion-strong Catholic church’s ban on contraception, just think what pressure that would eventually relieve on food (and water) supplies in this increasingly over-populated world? As a further aside, little or no mention has been made since Pope Benedict XVI resigned last week of his shocking complicity in the cover-up of sexual abuse cases by Catholic clergy when as Prefect of the Congregation of Doctrine of the Faith (and directly responsible for investigating them). Although when Alex Gibney’s powerful documentary, Silence in the House of God is released next month, conveniently just after he makes his formal exit, that may change. Angry thought it should make you, I urge you to see it, just as I urge you to go to India before it becomes just another satellite for the global supermarkets, and for that matter, Google and Amazon who surely won’t be ignoring the burgeoning Indian economy and its laissez-faire regulatory and tax regimes for much longer.
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The Fallen Mighty January 21, 2013Posted by markswill in About me, Media, Politics, Schmolitics.
Firstly and very belatedly, Happy New Year. Or if you live in Somalia, Afghanistan, Mali etc., Happy Bloody New Year. Actually, since our wonderful ‘festive season’ I’ve tried several times to pen a tirade, but each time I hit on a suitable subject, something even more terrifying or irritating came along and rendered it redundant. Now however…
I was leafing through November’s Prospect magazine and intrigued by her byline, started reading Hephizbah Anderson (I’m shortly changing my name to Hezbollah Williams) on the ‘Quantified Self’ movement, a bunch of narcissistic über-geeks who track everything about themselves from how much they smile, shit and sleep to monitoring their blood sugar levels and reading habits using “wearable computer devices”. As Anderson pointed out, although the QSers may be obsessive about personal data capture, anyone with a smartphone has the ability to mine all manner of information about themselves and their circumstances. And then lo and behold the next issue of Prospect contained a whole feature on how Google (of course!) is working on devices that will blur the distinction “between our physical and virtual lives”. Point your iPhone at a restaurant and a ‘Wikitude’ app will reveal reviews of it, download the ‘Fits.me’ app and you can discover whether that saucy little chemise you’re contemplating on Net-a-Porter will both fit and suit you. (This is addressed to my transvestite readers, obviously).
Writing this as I am on George Orwell’s death-day, it’ll come as no surprise that I find this lamentable, especially because the instant availability of great gobbets of information also means that info can easily be manipulated for commercial and/or malign reasons. And returning to Anderson’s piece, even self-accumulated data – which is not necessarily the same as factual information, right? – can be used by data miners, or ‘pirates’ as I call them, to bombard you with sales pitches for anything that might improve your mood, bowel movements or sleep patterns etc., i.e. in much the same way as Google already picks up on the content of your emails, and Twatter your tweets (well not mine, obviously), Farceberk your cute snaps of little Johnny building a snowman and sell it to advertisers who then bombard you etc., etc. We may also become so enwrapped in our virtual or ‘enhanced’ realities that we are unable to distinguish it from the real one, indeed it may become the real one.
Of course as intelligent, self-disciplined individuals you ignore such puffery and dismiss any sinister implications concerning the technology that facilitates it, but I reckon that within a few years you’ll have been brainwashed into surrender, much like the citizens of Orwell’s dystopia. I smelt the reasons for this last week, the day after HMV went into administration and finding myself in the glittering metropolis, I visited its flagship Oxford Street store and witnessed a very sad sight indeed. The place was rammed, largely with badly-dressed men of a certain vinyl buying age (e.g. yrs. trly.), riffling through the racks of now heavily discounted CDs for bargains. Indeed I came away with fifty-quid’s worth of stuff I really, really needed driven, I admit, by a subconscious fear that this truly marked the end of an era when music could be bought in physical form, at least somewhere other than online via mega tax-avoiders, Amazon.
It was, of course, the same week that Comet and Blockbuster also went bust which, quite apart from making thousands jobless and causing glee at Amazon HQ, prompted sage comment in the financial press that this was the inevitable outcome of a failure to recognise and thence adapt to the threat of online retailing (and in HMV’s and Blockbuster’s case, downloading and streaming). Quite how anyone, even the mighty HMV could match Amazon or Apple in flogging cut-price music wasn’t discussed, but some commented, albeit without actual approval, that all this was merely capitalism’s tectonic plates making one of their periodic shifts, just like when film gave way to digital and Tesco et al decimated the independent grocery trade. And that may be true, and we may just have to get used to the fact that consumer choice will be dictated by fewer and fewer mega-corps, many of whom, well Amazon anyway, who’ll rely on another largely privately owned mega-corp we once called the Royal Mail to deliver its goods.
I’m currently reading Mark Kermode’s entertaining treatise on what ails the movie and cinema industry, ‘The Good, The Bad & The Multiplex’ which my sister, who is deeply involved in both, refused to read because Kermode is a critic and “never trust a critic”, but he, too, acknowledges that cinema must adapt if it’s to provide a persuasive alternative to 60inch home cinema set-ups, Netflix and LoveFilm (prop. Amazon), because the film-makers by-and-large don’t care how they flog their wares, just as long as they do. Multiplex traffic is in steadily decline, whilst my sisters’ indie flea-pits do well because they offer a wider variety of fare and a viewing environment not staffed by glorified popcorn peddlers who know and care nowt about films, but the writing could well be on the wall even for her operation, just as it must be for our last remaining bookshop chain, Waterstones (see my last outing).
And to return to where I started, that is partly because the web, cloud computing (which an ad. in this week’s New Yorker claims “will solve the world’s greatest challenges” !!!!!) and most insidiously of all, applications and the miniaturised personal devices that run them will soon be able to deliver direct into our line of vision, and eventually I guess our subconsciouses, exactly what the few mega-corps who own them want them to… Especially when there’s no HMV, Comet or Waterstones left where we can inspect the goods, and indeed the alternatives, in real time… even before going home and buying them online for a few pence less!
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